I am a sucker for Christmas. I don't wait for December, either. I have been known to start itching for Christmas music in July. I like to make it look like Christmas threw up in my home. I am devastated when I cannot have a tree. I love the cold, love the festivities, love the decor. I hate the shopping, but I don't fret on it because I shop all year long. Why wait if the right gift comes up in the spring?
However, I am very picky about my Christmas movies. There are certain movies that I can only watch at the holidays. I don't like all Christmas movies - some were any old story that they happened to set at Christmas, some were bad versions of good movies. While I have a mile-long list of favorite Christmas movies, I have narrowed them down to my top five. There are many classics that should have made the list, and if I went for top 10 probably would be on, but these made the top five because I have to watch them every year. Are my picks similar to yours?
5. The Ref (1994). Many holiday movies center around family - more specifically, the disfunction of family gatherings. It's easy to see why. So many people see themselves in these movies. They love their families, but don't look forward to spending time with the aunts and uncles who ask when they're getting married, or how they're too fat/skinny, or when they're finally going to do something with their lives, etc. Some families border on having full-blown arguments and fights at Christmas. Really, who wants to be around that?
What if you have no choice? This is the dilemma Denis Leary finds himself in in "The Ref." Leary plays a burglar who breaks into a mansion in a small upscale Connecticut town. The police are after him, and he takes a couple hostage (Kevin Spacey and Judy Davis) in order to hide out in their home. The problem is, this couple cannot stop fighting. They pick fights with each other and argue about the most mundane things because they are so unhappy with each other. Lucky for the audience, their mud-slinging is absolutely hilarious! Leary has no choice but to hide out with them, and he cannot stand it! It gets even worse when the rest of the family arrives, and they are no better. The mother of the family (Glynis Johns) holds her sons' nads in a jar, and reminds them every day that they owe their lives to her. In the case of Spacey and Davis, it's literally, because she owns the home they live in, and she charges them 18% interest on the loan she gave them. Spacey's brother is bullied by the wife who cannot appreciate anything and snaps at everyone, including her kids. The kids, of course, cannot wait to get to Uncle Lloyd and Aunt Carolyn's house because they love watching them fight. And Leary is the only reasonable character in the entire story. He cannot understand how a family can treat each other this way. He looks at his own life - mid 30s, no home, no family, no stable grounds - and cannot for the life of him understand how people who have it all could be so miserable with each other. Ultimately, he gets Lloyd and Carolyn to finally get it all out and see that their problems had one main underlying source - Lloyd's mother. In housing Leary and eventually helping him evade police, Lloyd and Carolyn finally come to understand and see each other, and forgive each other.
I don't just love this movie for its hilarity, I love it for its message. Sometimes people need to shut the eff up and listen to each other, especially at Christmas. Family cannot trample on each other.
4. Elf (2003). I am at the point now where I am indifferent to Will Ferrell. He is undoubtedly one of the greatest comic actors of the decade, and he was on a major hotstreak with his movies. In looking back, I found myself over him when I saw "Blades of Glory." (Please forgive me for admitting I saw it.) I realized there that I was seeing the same Will Ferrell over and over again. However, I look back at some of his better movies - namely "Talladega Nights" and "Anchorman" - and see that he is best when he is among an ensemble cast and does not have to carry the entire film by himself. In fact, in "Anchorman," Paul Rudd and Steve Carrell completely steal the show. But that allows Ferrell to be the man-child he is so effectively, because it doesn't have to be forced down your throat in order to make the movie work.
Will Ferrell was the perfect actor for Buddy the Elf. After all, why not have a man-child play, well, a man-child? Ferrell plays an orphaned baby who snuck into Santa's sack and ended up at the North Pole. He grew up among the elves and found out when he was an adult that he actually is a human, not an elf. He decides to return to the US to find his father, who he learns is on the naughty list and living in New York City. Fish-out-of-water is not exactly the right term for Buddy. More like alien invasion, because in theory, he has never seen a world like Manhattan. Despite the warnings by Santa, he eats the gum off the railings and runs in front of the yellow cabs. Buddy meets Jovie (jovial? Santa? get it?), a pretty girl with no Christmas spirit, who becomes his only friend in the city. Then he finally meets his father (James Caan), who doesn't really exhibit naughty list-worthy behavior as much as he exhibits overworked publisher working for a crappy company behavior. Buddy goes home with him, introduces his family to his four major food groups (candy, candy canes, candy corn, and syrup; if you were a chick you wouldn't be wearing yellow tights!), and encourages them to start enjoying life together again.
This movie is not without flaws, but it is damn funny, and Will Ferrell is perfect in it. Personally, I prefer the FAO Schwartz toy scene in "Big" to the Gimple's scenes in "Elf." What makes this movie so refreshing for me is Will Ferrell being a grown-up who is fully invested in the magic of Christmas. He believes in it with every fiber of his being, including calling out a Santa impostor at Gimple's. ("You sit on a throne of lies!") He gets weird looks from everyone, but doesn't understand that he's the unusual one. All he knows is that the people around him are in need of Christmas spirit, and he's happy to be the one to bring it to them. Certainly the comedic performance makes this movie a must-see, but so does the overall message - Christmas spirit is ageless.
3. National Lampoon's Christmas Vacation (1989). This year, one of my favorite podcasts, "Filmspotting," did a top 5 list of their favorite screen fathers. Matty Robinson chose as his favorite father, Clark Griswold." I could not agree more. Here is a father who will do absolutely anything to make sure his family has the best time ever. In this movie, he wants to produce the best Christmas for his family, while at the same time, dealing with disfunctional relatives. Among these relatives are his cousin and her husband, who are disasterous human beings with disasterous children. Clark's production of a family Christmas includes covering his house with so many lights it blinds the neighbors and causes the local power company to switch to nuclear mode. His present to his family is to put a swimming pool in the backyard of their home, but this gift is dependent on a Christmas bonus he anticipates, and unfortunately does not receive, from his job. This causes Clark to go absolutely haywire, and naturally, hilarity ensues.
The Griswold family adventures are timeless classics, simply because Clark will not rest until his family has a good time. For Christmas, these adventures add the element of the crazy family. Again, crazy family holiday movie. But like "The Ref" and "Elf," it just works. Clark will always be the most over-the-top father in the world, but that's an admirable quality to have, especially at Christmastime. Adults will live vicariously through Clark because they would only imagine doing the things Clark does, and kids will laugh because Clark is that father that they want, practically killing himself to make his family happy.
2. Love Actually (2003). It's interesting how my second favorite Christmas movie of all time is among my top 5 favorite movies of all time, but none of the rest of these are. The criteria there is simple - this is a movie I can watch anytime, day or night, all year long, and love. This British gem is a fairly complicated movie to pull off because there are so many different characters and stories that are somehow intertwined with each other. It's like a six-degrees type of movie. They all experience the same theme, though, which is love at Christmas time.
The movie counts down from five weeks before Christmas, all the way down to Christmas Eve. Prime Minister David (Hugh Grant) is single, newly elected, and instantly develops a crush on Natalie, his assistant with the mouth of a sailor. She lives next door to Mia, who has a crush on her boss (Alan Rickman, one of my favorite actors in the world). He indulges that crush just a little too far at one moment, upsetting his wife, Karen (Emma Thompson), who happens to be the prime minister's sister. Another one of his employees, Sarah (Laura Linney, another eternal favorite of mine), has a crush on Karl (Rodrigo Santoro), who she doesn't realize likes her too. When they finally get the chance to go for it, she is interrupted by needing to care for her schizophrenic brother, and learns she will never have the love she wants as long as she has her brother's care, but she has resolved to accept it. Karen's friend Daniel (Liam Neeson), is a recent widower and caretaker of her son, Sam, who has fallen in love for the first time with a girl at his school. Sarah's friends, Peter and Juliette (Keira Knightley), are newlyweds, to the heartbreak of Peter's friend Mark, who silently holds a torch for the stunning bride of his best friend. At their wedding reception, the catering company's employee, Colin, decides English girls are way too stuck up for him, and he decides to go to America ("to a fabulous place called Wisconsin!"), much to the disgust of his friend Tony, who tells him he needs to accept that he is "a lonely, ugly asshole." Tony's day job is as an assistant director on a high-end Italian erotic film, and he is directing stand-ins (John and Just Judy), who find they are hitting it off while naked and in rather compromising positions. Another friend of Peter and Juliette is Jamie (Colin Firth), who learns after coming home from their wedding, that his girlfriend is sleeping with his brother. He leaves her and heads to the country to work on his novel, where he falls in love with his housekeeper, Aurelia. And all of this takes place while Billy Mack (Bill Nighy) is staging his comeback and trying to top the biggest pop group in Britain for the spot of Christmas number one, with his cover of "Love is All Around."
Wow, I cannot believe I got through all of that! Just shows how many times I have seen this movie. It is wonderfully acted, wonderfully written, and wonderfully directed. No one character holds more than 20 minutes of total screen time, but it is maximized. No time is wasted in this movie. Every story has its beginning, middle, and end, and may not end happily, but ends with more emotion because it happens at Christmas. Again, a movie I will watch forever, but ranks #2 on my Christmas movies list because it's about love at Christmas, and about how love is full of imperfections, even when you don't want them to be.
Drumroll, please...
1. Home Alone (1990). When this movie first came out, it was one of the most successful box office movies of all time. As of today, hollywood.com listed it as the 38th most successful film of all time with a domestic take of almost $286 million. (Titanic still sits at the top with $600 million domestically.) The cute kid from Uncle Buck gets a starring role as a smart-aleck kid who gets accidentally left behind by his family, who takes off for France for the holiday. While they are gone, said kid starts by enjoying doing everything he's normally not allowed to do (eating junk food, staying up late, watching bad movies, going through his brother's personal stash) before reality kicks in and he has to get a few essentials to survive until his family comes home, like milk and laundry detergent. In these outings, he comes face to face with a couple of would-be robbers who, the night before his family left, posed as police officers to check out the house. In the developing story, he realizes he misses his family, that he was sorry for being such a pill, and he wants his family to come home for Christmas. This realization is also aided by his elderly neighbor, who the kids in the neighborhood fear, but ends up being in a similar situation - on the outs with his own family and lonely at Christmas. Kevin is not free from the burglars, though, and he rigs his entire house to keep the burglars from successfully taking anything in the house. They almost catch him when he tries to escape, but with the neighbor's help, survives. And after all that, Kevin's Christmas wish comes true when his family comes home Christmas day.
Again, not the most perfect movie on the planet, but so fun. Macaulay Culkin did quite a few roles after this one, but none as charismatic and endearing as playing Kevin. Not to mention, this was a 10-year-old kid who carried a movie by himself. That's not easy to do. This movie resonated with kids because every kid has imagined having their families disappear, and they loved watching Kevin go nuts. The measures Kevin went to in order to protect the house were so innovative for a kid his age, and we as kids ate it all up. The more the burglars got hurt, the funnier it was. And when Kevin put a spider on Marv's face and Marv screamed like a little girl, I died laughing. I still do. That is still my single favorite moment in the movie.
It's so weird to watch it today. Now when I watch it, I watch it as an adult. I think of the things critics like to say about this movie because they cannot put themselves in a kid's shoes. They cannot suspend disbelief, which you have to because you know what Kevin goes through is not plausible. How did he manage to set all of that up in an hour? Where did he get the time to clean it all up so spotlessly? How did he not burn the house down? Why did the mother never mention to the police when she called from France that her son is not only home alone, but is EIGHT YEARS OLD? Why didn't anyone else, like the old man, call the police to say the 8-year-old next door is alone? It's all of those things that only adults cannot get around. That's why this movie is not necessarily for adults, unless you saw it through a child's eyes first. It's seeing it as an adult but through a child's eyes that makes me appreciate so many things I never noticed as a child, either. The opening segment of the family going nuts the night before they left for France showed a family basically being rude to Kevin. They called him hopeless, a disease, a little jerk. As an adult, I think that Kevin is not being so bad that he deserves that kind of treatment. But remember, this is a movie from Kevin's point of view. He pereceives his family treating him like dirt. He doesn't think he's being that bad, and when he gets pushed to his breaking point, he thinks he's being treated unfairly. Also, director Chris Columbus (of the first two Harry Potter films as well) did a very good job of shooting everything from down low, which is Kevin's viewpoint. All of the adults are shot from Kevin's point of view looking up. I never noticed that as a kid. Just something I can appreciate today. By the way, Spielberg did it in E.T. as well, so it's just good style influencing good style.
This movie is my number one because I can only watch it at Christmas. It makes me laugh because it's so silly. And I love the message, which is that you may want to get rid of your family, and you may actually succeed sometimes, like the old man did, but you can't really get everything you want without your family. You are lonely, and that's not a good feeling. Like them or not, they're your family. Brat or not, Kevin still deserves a good family, and Katherine (his mother) uses that guilt and determination to not rest until she gets home to her son. It's not a serious story, but it's one that is right for its target audience, which is kids and family.
Yes, those are my top five. I know there are some of your favorites missing, like "It's a Wonderful Life," "How the Grinch Stole Christmas," "A Christmas Story," "White Christmas," or "Miracle on 34th Street." Those don't register on this list because I don't necessarily make a point to catch those every year. Nor are they automatically the first movies I think of when I think of Christmas must-see movies. Since some of these movies are fairly recent, they may be replaced by better Christmas movies someday. I hope so. Christmas movies, when done well, are so wonderful. I hope to write a good one someday. In the meantime, I like my favorites, so I will keep them for a while. I hope my favorites are some of yours, too.